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Fine Art Black and White Photography Darkroom (Wet Process)
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So you call yourself a master black and white printer. Try this formula out. I had success using this modified paper developer back in the early 70s. This solution is best suited for exhibition-quality photographs printed on high-quality graded fiber-based paper. This formula allows you to make prints with extended tonal range and deep blacks.
Jesús Manuel Mena Garza
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Modified Paper Developer (1971)
Stock Solutions
- 1 oz Potassium Bromide to 10 oz water - stock solution
- 1 oz Sodium Carbonate to 16 oz water - stock solution
- 1/4 teaspoon Hydroquinone - added last
- 10 oz Dektol stock
Mix
- Measure 20 oz water into tray
- Pour in 10 oz Dektol stock solution
- Follow with 7 oz of Sodium Carbonate stock
- Add 1 1/2 oz Potassium Bromide stock
- Add 1/4 teaspoon Hydroquinone powder
- Mix thoroughly
Processing
Modified developer works best at about 75 degrees Fahrenheit
- Develop print for 3 minutes
- Stop 30 seconds
- Fix 5 minutes, no more
- 25 ml Selenium Toning Agent for American paper
- 50 ml Selenium Toning Agent for Brovira paper
- 6 oz Hypo Eliminator, from stock solution mix 1 to 4 or add 24 oz water to 6 oz stock solution
Cut, paste and save my formula using your text editor or click here and download MS Word document.
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Warning
Use of my formula does not guarantee success. In the end you are responsible for the quality of your work. Having prints with extended tonal range and deep blacks does not make up for a poor negative and/or artistry.
Please make a test print to demonstrate if your batch is good. Please feel free to contact me should you have any questions. You too can produce exhibition-quality photographic prints.
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